OmoroShoot briefRoll 023Ser.05
Dazzle Camouflage aesthetic photography reference
RecTC 00:00:00:00

Dazzle Camouflage

Shoot the pattern on a form, at an angle, so the bands visibly argue with the shape

Roll 0235 frames0 / 5 shot
Frames00/05
dazzle camouflage
SET

The setup

01Light
Hard, clear light with crisp shadows: bright sun or a single hard key. The edges of the bands must stay sharp, so no haze or soft fill; colour flat and full.
02Wardrobe
The pattern on the garment, everything else plain: black, white or grey. Sports kit, cycling jerseys, a striped coat; no second pattern anywhere.
03Location / first setup
A harbour, dock or shipyard
04Palette
DIR

Director's note

The photograph should make the object hard to read for a second. Shoot at an angle where the bands contradict the real edges, keep the background plain and the light hard, and add one plain figure or object for scale. No head-on flat views, no second pattern, and no soft light that blurs the edges.

All 151 director’s notes, printable: Director’s Briefs →
SEQ

Shot list

00 / 05

Tap a pad to mark the frame shot · saved on this device

A runner in a dazzle-striped kit mid-stride against a plain wall, the stripes breaking the body's outlinesetup50mm
A dazzle-wrapped car or boat shot three-quarter on so the false edges readsetup50mm
A row of cans in clashing dazzle schemes on a plain shelfsetup50mm
A cyclist in black and white bands passing a grey harbour wallsetup50mm
A building corner painted in dazzle, a figure walking past for scalesetup50mm
Rolling
Take it to set: all 151 briefs as one PDF
LOC

Locations

05
A harbour, dock or shipyardA running track or velodromeA plain grey studioA car park or concrete rampA ferry or boat deck
REF

Explore the aesthetic

Style guideColor palette
DOC

About this brief

How do I photograph the Dazzle Camouflage aesthetic?

Shoot the pattern on a form, at an angle, so the bands visibly argue with the shape.

The photograph should make the object hard to read for a second. Shoot at an angle where the bands contradict the real edges, keep the background plain and the light hard, and add one plain figure or object for scale. No head-on flat views, no second pattern, and no soft light that blurs the edges.

Director's note

What shots should I get for a Dazzle Camouflage photo shoot?

Leave with every frame on this list.

Shot list

  1. A runner in a dazzle-striped kit mid-stride against a plain wall, the stripes breaking the body's outline
  2. A dazzle-wrapped car or boat shot three-quarter on so the false edges read
  3. A row of cans in clashing dazzle schemes on a plain shelf
  4. A cyclist in black and white bands passing a grey harbour wall
  5. A building corner painted in dazzle, a figure walking past for scale
What lighting works for Dazzle Camouflage photography?

Hard, clear light with crisp shadows: bright sun or a single hard key. The edges of the bands must stay sharp, so no haze or soft fill; colour flat and full.

Light

Where should I shoot Dazzle Camouflage photography?

Scout these before anything else.

Locations

  1. A harbour, dock or shipyard
  2. A running track or velodrome
  3. A plain grey studio
  4. A car park or concrete ramp
  5. A ferry or boat deck
What wardrobe works for Dazzle Camouflage photography?

The pattern on the garment, everything else plain: black, white or grey. Sports kit, cycling jerseys, a striped coat; no second pattern anywhere.

Wardrobe

Omoro Studio · Creative System

Generate shoot references in the Dazzle Camouflage style

Omoro reads your visual references and generates images in your exact aesthetic. Build a mood board before the shoot or create composite references for your client.

Join the waitlist