OmoroShoot briefRoll 025Ser.05
Fabric Over Photo aesthetic photography reference
RecTC 00:00:00:00

Fabric Over Photo

Print it, lay the cloth on it, then photograph the whole thing again

Roll 0255 frames0 / 5 shot
Frames00/05
fabric over photo
SET

The setup

01Light
Soft, directional daylight. The fabric has to cast a real shadow onto the print: a raking window light separates cloth from paper, while flat light makes the whole thing look composited.
02Wardrobe
Whatever is in the original portrait, kept plain. The cloth is the wardrobe: lace, tulle, organza and gauze in ivory, grey or one muted colour.
03Location / first setup
A table by a north window
04Palette
DIR

Director's note

Two exposures make this: a good portrait, then the same portrait covered. Print first, matte and generous, then lay real cloth on it and shoot it again, because a fabric texture layered in software has no shadow and no depth and everyone can see it. Cover half the face, not all of it. Keep the type off the veil.

All 151 director’s notes, printable: Director’s Briefs →
SEQ

Shot list

00 / 05

Tap a pad to mark the frame shot · saved on this device

A printed portrait on matte paper with grey tulle pulled taut across the eyesportrait85mm
Lace laid loose over a face so the weave falls sharp on the paper and soft on the skin beneathsetup50mm
A print half covered by knotted organza, the knot pinned at the edge of the framesetup50mm
A framed portrait with gauze tied across the glass, shot at a slight angleportrait85mmthru glass
A macro where the fabric is in focus and the printed face behind it is notdetail100mm
Rolling
Take it to set: all 151 briefs as one PDF
LOC

Locations

04
A table by a north windowA copy stand with the print pinned flatA framing bench with glass and pinsA plain wall where the print can hang and the cloth can drape
REF

Explore the aesthetic

Style guideColor palette
DOC

About this brief

How do I photograph the Fabric Over Photo aesthetic?

Print it, lay the cloth on it, then photograph the whole thing again.

Two exposures make this: a good portrait, then the same portrait covered. Print first, matte and generous, then lay real cloth on it and shoot it again, because a fabric texture layered in software has no shadow and no depth and everyone can see it. Cover half the face, not all of it. Keep the type off the veil.

Director's note

What shots should I get for a Fabric Over Photo photo shoot?

Leave with every frame on this list.

Shot list

  1. A printed portrait on matte paper with grey tulle pulled taut across the eyes
  2. Lace laid loose over a face so the weave falls sharp on the paper and soft on the skin beneath
  3. A print half covered by knotted organza, the knot pinned at the edge of the frame
  4. A framed portrait with gauze tied across the glass, shot at a slight angle
  5. A macro where the fabric is in focus and the printed face behind it is not
What lighting works for Fabric Over Photo photography?

Soft, directional daylight. The fabric has to cast a real shadow onto the print: a raking window light separates cloth from paper, while flat light makes the whole thing look composited.

Light

Where should I shoot Fabric Over Photo photography?

Scout these before anything else.

Locations

  1. A table by a north window
  2. A copy stand with the print pinned flat
  3. A framing bench with glass and pins
  4. A plain wall where the print can hang and the cloth can drape
What wardrobe works for Fabric Over Photo photography?

Whatever is in the original portrait, kept plain. The cloth is the wardrobe: lace, tulle, organza and gauze in ivory, grey or one muted colour.

Wardrobe

Omoro Studio · Creative System

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