Baugasm

Build the image from three shapes and two gradients, then let the grain make it feel printed.

Geometry first, colour second, texture last. Keep the shapes simple and the axis clear, pick gradient pairs that stay vivid in print, and add fine grain so the colour looks inked rather than rendered. One small caption in a corner at most. Credit the Bauhaus lineage and Vasjen Katro's project when you reference it directly.

Director's note

Leave with every frame on this list.

Shot list

1. 01A face tilted upward on black, lit in rainbow gradients, circled by thin orbit rings and small glossy planets
2. 02A sports car rendered in neon gradient light streaks, a gradient planet behind it and its reflection on a wet black floor
3. 03A dolphin leaping from a splash, its body an iridescent gradient, a glowing sphere behind it
4. 04A liquid, iridescent landscape of glossy forms and spheres under a low sun, set as a poster with a short title
5. 05A poster of stacked gradient circles and arches on a cream ground, fine grain throughout, one small caption in a corner

Soft, even light for photographs so the gradients stay clean; one soft shadow is enough. In design files, add grain to every gradient so it never bands.

Light

Scout these before anything else.

Locations

1. 01A studio with a cream or colour-block backdrop
2. 02A gallery wall with printed posters
3. 03A desk or screen for digital poster work
4. 04A print studio for giclée or riso proofs

Flat, saturated colour blocks that echo the gradient pairs. Avoid prints and texture; the shapes carry the interest.

Wardrobe