OmoroShoot briefRoll 038Ser.05
Supergraphics aesthetic photography reference
RecTC 00:00:00:00

Supergraphics

Shoot the graphic where it crosses the architecture: a corner, a stair, a doorway, with a person for scale

Roll 0385 frames0 / 5 shot
Frames00/05
supergraphics
SET

The setup

01Light
Even, flat daylight or bright fluorescent, so painted colour stays flat and edges stay hard. No dramatic shadows across the graphic; the shape must read as paint, not light.
02Wardrobe
Plain and sporty: one solid colour per person, drawn from the palette or neutral, so the figure gives scale without competing.
03Location / first setup
A gym, pool or sports hall
04Palette
DIR

Director's note

The photograph should show the graphic changing the room, so frame the corner or the plane change, not a flat wall. Shoot square and level so painted edges stay straight, and add one person for scale. Keep colour flat and light even. No wide-angle distortion, no murals of things, and no cropping that turns the supergraphic back into a poster.

All 151 director’s notes, printable: Director’s Briefs →
SEQ

Shot list

00 / 05

Tap a pad to mark the frame shot · saved on this device

A red stripe running across a concrete corner and up onto the ceiling, one figure at the far endsetup50mm
A stairwell with a numeral three storeys tall, shot from the half landingsetup50mm
A changing room with cobalt and yellow circles interrupted by lockersenvironment35mm
A car park ramp with arrows painted across floor and wallsetup50mm
A pool hall with stripes reflected in the watersetup50mm
Rolling
Take it to set: all 151 briefs as one PDF
LOC

Locations

05
A gym, pool or sports hallA stairwell or car parkA concrete campus buildingA hostel or co-working corridorA transit concourse
REF

Explore the aesthetic

Style guideColor palette
DOC

About this brief

How do I photograph the Supergraphics aesthetic?

Shoot the graphic where it crosses the architecture: a corner, a stair, a doorway, with a person for scale.

The photograph should show the graphic changing the room, so frame the corner or the plane change, not a flat wall. Shoot square and level so painted edges stay straight, and add one person for scale. Keep colour flat and light even. No wide-angle distortion, no murals of things, and no cropping that turns the supergraphic back into a poster.

Director's note

What shots should I get for a Supergraphics photo shoot?

Leave with every frame on this list.

Shot list

  1. A red stripe running across a concrete corner and up onto the ceiling, one figure at the far end
  2. A stairwell with a numeral three storeys tall, shot from the half landing
  3. A changing room with cobalt and yellow circles interrupted by lockers
  4. A car park ramp with arrows painted across floor and wall
  5. A pool hall with stripes reflected in the water
What lighting works for Supergraphics photography?

Even, flat daylight or bright fluorescent, so painted colour stays flat and edges stay hard. No dramatic shadows across the graphic; the shape must read as paint, not light.

Light

Where should I shoot Supergraphics photography?

Scout these before anything else.

Locations

  1. A gym, pool or sports hall
  2. A stairwell or car park
  3. A concrete campus building
  4. A hostel or co-working corridor
  5. A transit concourse
What wardrobe works for Supergraphics photography?

Plain and sporty: one solid colour per person, drawn from the palette or neutral, so the figure gives scale without competing.

Wardrobe

Omoro Studio · Creative System

Generate shoot references in the Supergraphics style

Omoro reads your visual references and generates images in your exact aesthetic. Build a mood board before the shoot or create composite references for your client.

Join the waitlist